Bridget: What’s in your new book?
Michael: The Wind Cries Freedom reports on a future movement that works to win a new world. The book’s imagined future interviewer, Miguel Guevara elicits tales of the interviewees’ participation in the next American Revolution. Why did they join? What did they do? What did they feel? What did they learn?
Why does the book end when the movement wins the Presidency? Is the book ultimately about electoral politics? Is that the revolution? Is that the guiding theme and goal?
No. The book’s last chapter only marked the movement having attained state power. By that point the movement had also won massive gains throughout dwellings, neighborhoods, and institutions all over the country. The book’s closing electoral victory didn’t end the revolution much less define it, it only opened a new stage of future struggle.
The future movement for a revolutionary participatory society, or RPS, first fought against old institutions. The oral history covers that. Then the project entered a new stage that would focuss overwhelmingly on building the new future, not fighting the old. Who knows, perhaps down the road some new future actors, channelled by me or whoever, will relay to us in our time the lessons of the later transitional stage of their struggle.
How tricky is keeping the timeline in mind?
For me, yes, honestly, it has been, particularly stepping back and talking about it because my mindset has been to channel Miguel and the participants the participants, not imagine them, but I hope it won’t be a problem for readers. In any case, what matters is can the lessons help us?
Alright, but why did you choose a novel, and for that matter, why now?
Unhinged, despicable fascists now seek horrific change and they must be stopped. But even when we wipe the fascists away, we will still need to replace the social structures that brought them into being. So I channeled a future oral history because we not only need to block efforts of fascists or oligarchs or whatever you wish to call them to make things horrendously worse, we also need to undertake and carry to conclusion revolutionary efforts to make things vastly better than they have ever been. Even more, the way we do the former needs to aid how we do the later.
Okay, but why an oral history? Why a novel?
I always try to convey insights and inspiration that can bear upon accomplishing immediate but also beyond that, massive fundamental change. To my way of thinking, that is the primary task of writing in our time. Aid now and aid future. But you also ask, I think, why suddenly choose fiction when you have no fiction writing experience.
It is a good question and it vexed me. Many people, including myself, write about overcoming various obstacles including not just fascism, but current perverted democracy, rapacious economy, capitalist hypocrisy, vile misogyny, hateful racism, and murderous imperialism, all topped off by suicidal ecological insanity. And many people, including myself, point to the political power of the state, the dominance of corporate centers of economic power, the pervasiveness of patriarchal norms and habits, the tenacity of racial hierarchy, as well as defenders of the existing order who repress and subvert whatever threatens their dominance.
On the other hand, not so many people write remotely as much about obstacles that we have within us that also impede our efforts. About obstacles embedded in the diverse forms of personal baggage we all carry in our personalities and habits due to living within the insane embrace of patriarchal families, schools that channel passivity, work that stifles efficacy, and a world that demands obedience, and due to the effects of all that imposed baggage on the horizons of our thoughts and aspirations.
So? Why is that relevant to the choice to employ fiction?
Well, I wanted to have people like us and like those all around us relay their experiences of becoming radical and then revolutionary. What inspired them? What did they personally feel? What did they then do? How did it unfold? And most of all what lessons did they learn that might help our own efforts in our own times? I wanted effective future revolutionaries to personally communicate with us.
But second, you asked why now? Well, why not now is one answer. Every delay in attaining a new world is more lives lost and tarnished by this world. But another answer is because, if not now, when? Each delay tends to strengthen the thought that there is no better future. Delay provokes more delay. And a third answer is, if not now, then fascist trends will likely make the task far more difficult in the future. Indeed fascism’s essential purpose all around the world is to restructure relations so that dissent and resistance much less positive fundamental change are put off forever.
Well, then, what do you think are the main obstacles to winning? You have often written about vision, what to fight for, but in this book while that is present, there is a whole lot more about what to fight against and especially how to fight effectively. So what are the main obstacles to overcome?
That is the big question. Which is why The Wind Cries Freedom is so damn long. But in a nutshell, to my eyes, what I actually think may be the biggest obstacle to our winning is not the power of the state, or the mesmerizing capacity of media, but our own doubts and harmful habits which impede hope and vision and instead impose cynicism and fear.
And that is why The Wind Cries Freedom not only addresses the technical and social possibility of a vastly better world, and not only addresses strategic and organizational ways to proceed, but also addresses interpersonal debates and differences, and personal fears, feelings, and finally personal hurdles, motivations, aspirations, and inspirations.
Guevara’s interviewees want to make real the possibility, likelihood, and even inevitability of winning if we can transcend our own histories. That is the belief that fueled the choice of an oral history, albeit fictional, instead of yet another less personal and solely analytical account.
What do you hope the book accomplishes? What do you worry might instead occur?
My hope is that The Wind Cries Freedom doesn’t become a kind of academic prop much less some kind of operating manual, but, instead that it becomes a positive pole, a sort of chime of freedom that helps open options and inspire choices, and that if it doesn’t itself do all that, then that it at least provokes discovery by others of critical insights that can do all that.
My fear for it, instead, is that it is effectively born dead, not because its substance or the sentiments of its actors are shown insufficient or misleading, but because it doesn’t reach its audience. It simply isn’t read and assessed. Many friends have told me that the idea of future revolutionaries telling their experiences is great. How can people now, they reason, who face Trump, who see the urgent need for fundamental change away from what gave us Trump, but who doubt that such change is even possible, or can be win, not hope that such a book will ease or even erase those doubts? So they tell me that the time is right for the book, the style is right for the task, and so surely people will give it a try. It will resonate and generate discussion, debate, and desire.
I hope the people telling me that are right. But the power of long-nurtured cynicism can’t be ignored. The power of hopelessness. The power of a sentiment like “been there, done that, so no thanks,” is real. Indeed, I think cynicism, hopelessness, and impatience are examples of the baggage-based obstacles I mentioned earlier. This book is meant to address how to overcome those factors that exist in our own activism. But that suggests a weird kind of complication. Does one have to have read the book, or something similar, to want to read the book? I hope not. I hope instead that it will be enough to have witnessed Trump and actors like him elsewhere and to have endured what led to him; that it will be enough to have witnessed or been part of MAGA or MAGA’s international variants and felt their impact and shortcomings as a response to the horrors of business as usual; that it will be enough to have fought against ICE and other anti immigrant projects around the world and against war; and to have known injustice in its many various forms to motivate enough desire for shared vision, shared strategy, shared methods, and shared mutual respect for people to give this oral history a chance. I guess we will see.
And for those not yet ready to give it a look, there is a book page with description, early testimonials, the table of contents, even a playlist to go with the book, and more, to consult before deciding to read it or not.
©2026 The Wind Cries Freedom